Responsive ad

The Lost Men of Syria at Saatchi Gallery

Edward Jonkler 2017: Kassar, from Hama fled with his 11 children, crossing into Lebanon. He can't work due to injury, and his wife is the breadwinner now. He sits in the square of a half built university all day, waiting for her to come home. Southern Lebanon 06/17.
  • twitter
  • Gmail

Edward Jonkler 2017: Kassar, from Hama fled with his 11 children, crossing into Lebanon. He can’t work due to injury, and his wife is the breadwinner now. He sits in the square of a half built university all day, waiting for her to come home. Southern Lebanon 06/17. Photo: Edward Jonkler via Saatchi Gallery

Syria’s grim humanitarian crisis finds yet another sombre expression in The Lost Men of Syria exhibition at the Saatchi Gallery, opening 19 July, writes Eastern Art Report arts newsdesk.

Photographer Edward Jonkler’s work examines the role of men in refugee camps, and the shifting power dynamics that can often lead to acts of radicalisation and mental illness, with once patriarchal figures becoming “lost’. Fleeing violence and the destruction of their lives around them, these men reach safety only to be trapped in a state of impermanence, according to the narrative accompanying the exhibition.

Edward Jonkler 2017: Kassar, from Hama fled with his 11 children, crossing into Lebanon. He can't work due to injury, and his wife is the breadwinner now. He sits in the square of a half built university all day, waiting for her to come home. Southern Lebanon 06/17. Photo: Edward Jonkler via Saatchi Gallery
  • twitter
  • Gmail

Abu Ahmed was a tribal elder from southern Syria, with a large herd of livestock. Many were killed by shrapnel in an air strike, and without his animals he fled. He can’t find work and his wife is sick. Sidon, 06/17. Photo: Edward Jonkler via Saatchi Gallery

“Where traditionally these men acted as the breadwinners in a patriarchal system, working and providing for their families, as refugees they are held in limbo, unable to look to the future. Reliant on handouts to survive, they find themselves broken, spiraling into substance abuse, depression and, sometimes, violence. Torn from their established notions of masculinity and pride, they are also increasingly vulnerable to radicalization: a path that offers a perceived sense of purpose in the face of futility.”

For his work Jonkler took “the refugee route”—from desperate desert camps in Syria to the squatter camps and asylum centres of Europe. In his visual presentations for the exhibition, Jonkler gives “powerful and profound commentary on the failures of integration.” The perspective offered is free from media bias provides a first-hand encounter with the reality of the migrant crisis and the issues that lie under the surface.

The works are shown as part of a series of exhibitions held by The Worldwide Tribe, whose stated mission is to highlight human issues and leave a legacy of positive, social change. Worldwide Tribe aims to raise awareness and shift perspectives into a more inclusive, less fear-driven, narrative.

The Lost Men of Syria. The Saatchi Gallery, Duke of York’s HQ, Kings Road, London, SW3 4RY. 19 July to 9 August, 10 am-6 pm daily.

 

Author: Editor

Share This Post On
Tweet
Share This

Share This

Share this post with your friends!

Share This

Share this post with your friends!